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Hidden Empire Film Group Signs With CAA (EXCLUSIVE)

Arts

Hidden Empire Film Group Signs With CAA (EXCLUSIVE)

January 24, 2026

Hidden Empire Film Group, the independent studio behind films such as “Fatale” and “Meet the Blacks,” has signed with CAA for representation.

Founded by director Deon Taylor and producer Roxanne Avent Taylor, Hidden Empire’s mantra is that multi-cultural representation is good business. The studio aims to create bold and culture-driven stories that amplify underrepresented voices in Hollywood.
CAA will assist Hidden Empire as it expands into premium scripted and nonscripted television and sports content.

Hidden Empire is known for the 2016 horror comedy “Meet the Blacks” starring Mike Epps, which spawned a sequel titled “The House Next Door” in 2021. The company produced the psychological thriller “Fatale” starring Hilary Swank, which was distributed by Lionsgate, as well as the police thriller “Black and Blue” from Sony Pictures. Both films were directed by Taylor.

The studio also has “The Intruder,” “Traffik,” “Fear,” “Supremacy” and “Chain Letter” under its belt. Cumulatively, the company’s films have grossed more than $300 million worldwide.

Next up, Hidden Empire has “Freedom Ride,” based on the life and experiences of the late congressman John Lewis, “Free Agents” and a multi-part documentary on Floyd Mayweather. The company is also making a reimagining of the 1972 blaxploitation “Blacula” for Amazon MGM Studios.

Outside of their film efforts, the Taylors created the civic engagement series “Be Woke. Vote,” which won seven Webby Awards. They also launched the C.L.I.M.B. mentoring program, supporting underserved young women pursuing careers in the entertainment industry.

HEFG continues to be represented by attorneys Glen Mastroberte and Andre De Rochers and publicity house R&CPMK.

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Hidden Empire Film Group Signs With CAA (EXCLUSIVE)
ArtsJanuary 24, 2026

Hidden Empire Film Group Signs With CAA (EXCLUSIVE)

Hidden Empire Film Group, the independent studio behind films such as “Fatale” and “Meet the Blacks,” has signed with CAA for representation.

Founded by director Deon Taylor and producer Roxanne Avent Taylor, Hidden Empire’s mantra is that multi-cultural representation is good business. The studio aims to create bold and culture-driven stories that amplify underrepresented voices in Hollywood.
CAA will assist Hidden Empire as it expands into premium scripted and nonscripted television and sports content.

Hidden Empire is known for the 2016 horror comedy “Meet the Blacks” starring Mike Epps, which spawned a sequel titled “The House Next Door” in 2021. The company produced the psychological thriller “Fatale” starring Hilary Swank, which was distributed by Lionsgate, as well as the police thriller “Black and Blue” from Sony Pictures. Both films were directed by Taylor.

The studio also has “The Intruder,” “Traffik,” “Fear,” “Supremacy” and “Chain Letter” under its belt. Cumulatively, the company’s films have grossed more than $300 million worldwide.

Next up, Hidden Empire has “Freedom Ride,” based on the life and experiences of the late congressman John Lewis, “Free Agents” and a multi-part documentary on Floyd Mayweather. The company is also making a reimagining of the 1972 blaxploitation “Blacula” for Amazon MGM Studios.

Outside of their film efforts, the Taylors created the civic engagement series “Be Woke. Vote,” which won seven Webby Awards. They also launched the C.L.I.M.B. mentoring program, supporting underserved young women pursuing careers in the entertainment industry.

HEFG continues to be represented by attorneys Glen Mastroberte and Andre De Rochers and publicity house R&CPMK.

Sundance Interview: Deon Taylor & NFL Player Jalyn Holmes On The Journey From Filmmaking Bootcamp To Park City With Comedy Pilot ‘FreeLance’
ArtsJanuary 24, 2026

Sundance Interview: Deon Taylor & NFL Player Jalyn Holmes On The Journey From Filmmaking Bootcamp To Park City With Comedy Pilot ‘FreeLance’

EXCLUSIVE: When NFL Defensive End Jalyn Holmes was a player for the New York Jets, there was a bulletin board outside the locker room touting different off-season programs and activities for the players.

Holmes, a film lover and keen photographer — he’d recently been gifted a camera by a teammate in a Secret Santa — had his interest piqued by a bulletin for a film and TV training program called the NFL Career Tour in Los Angeles, which introduces players to filmmaking, acting, and how to navigate the business.

“I knew I was into photography, I just didn’t know much about it, other than pointing and shooting,” explains the 29 year-old former Buckeye who now plays for the Washington Commanders. “Typically, the training programs you hear about as a player are related to finance, real estate, business, maybe fashion; I’ve done real estate workshops before and I have some real estate interests. The film opportunity was different, though, because that was something I really wanted to tap into and I’ve always had an interest in. So, I took a shot and signed up.”

Fast-forward 18 months and Holmes is at the Sundance Film Festival with comedy pilot, FreeLance, which is playing in the Episodic Pilot strand. He’s the first player from the NFL’s film training program to have a project at a major film festival.

 

Holmes is an associate producer on the pilot, which he came to via his friendship with co-directors Julien and Justin Turner. He is an investor but has also taken a close interest in the process. The story follows a rookie filmmaker who chronicles making his first movie while living with creative friends who help each other chase their dreams in a crowded and who-you-know industry. The novice group end up taking odd jobs to survive and grow their brand. Cast includes All American and Creed III actor Spence Moore II and former Georgia Tech and NFL cornerback Lou Young III.

The pilot’s subject seems fitting for Holmes, who is getting his own feet wet in the entertainment industry. In Park City, he’ll reunite with the pilot’s cast and crew, but also with filmmaker Deon Taylor, who set up and runs the film and TV training program, and will be his guide at the festival.

 

“What Jalyn has done is phenomenal,” says the high-energy Taylor. “It is so rare to find a professional athlete at the highest level who can step out of that, find a group of creatives, and help produce something of Sundance quality. That’s the 1%.”

Taylor is known in Hollywood for directing movies including Screen Gems’ box office hit The Intruder, the same label’s thriller Black & Blue with Naomie Harris and Tyrese Gibson, and Lionsgate movie Fatale, starring Oscar winner Hilary Swank. He and his wife Roxanne Avent run banner Hidden Empire Film Group.

But his first pro career was as a basketball player in Europe after a collegiate career at San Diego State. His brother played in the NFL.

“We were basically the people that were not supposed to be in the film business,” he explains of his own journey. “We had to learn this on our own. How to write, direct, and produce. Over the years, I had athletes come to me and say ‘Deon, how did you get into this space, how did you make that movie, and how can I be part of that?’ On some of my earlier films I had former athletes in front of the camera and behind the scenes. Then I got a call from Tracy Pearlman [SVP Football Comms & Marketing] at the NFL about partnering on the course.”

During the three-day program, Taylor calls on a host of industry contacts and collaborators to come down and speak to the players. Those have included actors Tyrese Gibson and Jonathan Majors, Quentin Tarantino’s producer Shannon McIntosh, Creed II and Transformers director Steven Caple Jr, two-time Oscar-nominated DoP Dante Spinotti and former NFL player turned actor-producer Vernon Davis, who took part in the program’s first edition before hanging up his cleats.

The course has been a hit. Among high-profile players to have taken part are Arizona Cardinals quarterback Kyler Murray, Cincinnati Bengals lineman Orlando Brown, Pittsburgh Steelers defensive lineman Cam Heyward, Buffalo Bills offensive lineman Dion Dawkins and LA Chargers linebacker Daiyan Henley.

Skydance Sports became a partner on the latest edition. As part of their collaboration, Skydance facilitated a tour of the Paramount lot. This year, Taylor is striking a deal with Disney as part of a new animation segment.

The crash-course offers a glimpse into Hollywood. But the film and TV industries have their own well known barriers to entry. Taylor is keen to lower those barriers.

“That’s the backbone of the program, it’s the whole point. As athletes, and as Black filmmakers, minority filmmakers, we do not always have access to the right information. I think that’s why the course became so popular. 99% of us have had to overcome to be what we are. Poverty, single family homes, judicial system challenges, systemic racism. We’re trying to break through from all that, but it’s hard when you realize that some of this stuff is built to keep you out. You will be the product of ‘no’, but you have to say ‘yes’.”

Over the decades, a handful of NFL players have gone on to careers in showbiz: Jim Brown, OJ Simpson, Carl Weathers, Terry Crews, among them. The course is about highlighting a pathway for more players to get involved and to know what to expect. Holmes believes his experience in the NFL can stand him in good stead for the film and TV world.

“I’ve been in the league eight years, and I’ve been cut five times. I got cut this year, twice. So ‘no’ doesn’t scare me. It’s just a part of the process. Honestly, the ‘no’ motivates me. I feel like that’s what’s going to help me and other athletes in this industry.”

 

Holmes has quietly become a student of cinema, as well the game of football. He has seen Leonardo DiCaprio Oscar hopeful One Battle After Another three times: “I even got the script of the movie and watched the film with the script. I’ve been trying to dive deeper into how writers set up plots and why certain dialogue is like it is. I wouldn’t have known to look out for those things if it wasn’t for the course.”

Holmes hopes to be back with the Commanders next season. That’s his main focus. In the meantime, he has discovered a new passion. “I’ve fallen in love with the industry and the art of it. I feel like I’m a creator at heart,” he says. He has begun writing a TV script inspired by his own experience as a player, called ‘The Bubble’: “People know all about the Peyton Mannings and the Lamar Jacksons, the big star players, but this is about the bottom of the roster guys who make a lot of things go. It’s a comedy about their daily struggles. One scene is inspired by me getting cut, for example.”

How Roxanne Avent Taylor Built The Legacy She Was Never Supposed to Have
ArtsJanuary 24, 2026

How Roxanne Avent Taylor Built The Legacy She Was Never Supposed to Have

There are people who arrive in Hollywood chasing a dream. And then there are people like Roxanne Avent Taylor, who arrive carrying purpose, even before they have language for it.

Roxanne is not loud about her brilliance. She doesn’t perform resilience. She embodies it. As co-founder and CEO of Hidden Empire Film Group, she has quietly but powerfully built one of the most successful Black-owned independent production companies in the industry; sixteen years deep, with films that have reached global audiences and reshaped what independent storytelling can look like.

But when you sit with Roxanne, what stands out most isn’t the credits. It’s the clarity. The calm certainty of a woman who knows exactly who she is, and why she’s here.

To begin our 2026 cover stories, I wanted to go beyond what she’s built and explore who she is beneath it all. The theme of this issue, “I Wasn’t Supposed to Be Here,” felt tailor-made for her journey. Not because she doesn’t belong, but because for a long time, the world didn’t make room for women like her.

So I asked her.
Tunisha:

You’ve spoken about your early years working at the Directors Guild of America before co-founding Hidden Empire Film Group. When you look back at that period now, what emotion hits you hardest, and what made you keep pushing when most people might have given up?

Roxanne:

“I wouldn’t say I started at the bottom, I started without a roadmap. I didn’t have formal education in this business, and I didn’t have mentors or champions guiding me through Hollywood. What I did have was faith.”

She tells me she was just 20 years old when she began working at the DGA, her first real proximity to Hollywood, even though she didn’t yet understand its power.

“At the time, it simply felt like proximity. In hindsight, it was education.”

There were moments, she admits, that were challenging, sometimes toxic, and it would have been easy to walk away. But instead, she stayed. She learned every role. She became versatile. She absorbed everything.

“My first producing-related assignment was working on the Alfred Hitchcock exhibit. I was deeply hands-on, setting up theater screenings, assisting with television awards, supporting events, and learning how productions came together behind the scenes. Because I didn’t come in through a traditional path, I learned by doing. I learned every job. That process made me incredibly versatile and gave me deep respect for every role in filmmaking.

What hits me hardest now is gratitude mixed with clarity, clarity I didn’t have then. What kept me pushing wasn’t a perfectly articulated dream; it was instinct.”

That instinct became the blueprint, not just for Hidden Empire, but for how Roxanne leads today.

Hidden Empire Film Group would go on to produce a bold slate of films: Meet the Blacks, Traffik, The Intruder, Black and Blue, Fatale, and Supremacy; stories that don’t just entertain, but confront fear, injustice, and identity head-on. And that’s no accident.

Tunisha:

Your films are known for being more than entertainment. What part of your personal story or values do you pour into each project, especially in moments when you felt you “weren’t supposed to be here”?

Roxanne:

“For a long time, I truly believed I wasn’t supposed to be here. Between the stereotypes, the environments I came from, and the trauma I experienced early in life, I was operating in survival mode.”

She pauses, then continues.

“But what I never gave up on was the belief that our stories mattered.”

Every project, she says, is rooted in truth and humanity. Her characters face fear, loss, injustice, but they don’t quit.

“They fight. They endure. And they find a way through. That mirrors my own journey.”

As a young girl, film showed her possibility. Today, she returns that gift to audiences, especially those who need to see themselves reflected on screen.

Hidden Empire wasn’t built because Hollywood opened doors. It was built because the doors stayed closed.

Tunisha:

You and Deon built Hidden Empire because traditional Hollywood doors often closed on you both. How did that experience shape who you are beyond the producer title?

Roxanne:

“No one invited me in. No one offered me jobs. No one congratulated me along the way.”

She says this without bitterness, just truth.

“Everything I’ve built, I built without industry backing. And while that can feel bittersweet, it also gave me something far deeper: self-trust.”

What shaped her most, she says, was faith.

“I truly believe God has carried me my entire life.” She and Deon learned how to create their own rooms. How to disrupt. How to lead with conviction and compassion. And in doing so, Roxanne became more than a producer, she became a builder of possibility for others.

Today, Roxanne is not only a film executive, but a mentor, activist, and visionary. Through her C.L.I.M.B. mentoring program, her work with youth organizations, and her award-winning civic engagement series Be Woke. Vote., she continues to expand what impact looks like beyond entertainment.

So I asked her the question that sits at the heart of this issue.

Tunisha:

Now that you’ve achieved so much, does the idea of “I wasn’t supposed to be here” still resonate with you?

Roxanne:

“Not anymore.”

She smiles.

“Today, as a mother, a wife, and a recent graduate of Pepperdine University with my master’s degree, I know without hesitation that I am supposed to be here.”

What remains, she says, is transformation.

“Growth is about becoming the person you knew you were meant to be all along.”

The legacy she’s building isn’t just about films or milestones. It’s about energy. Perspective. Freedom.

Tunisha:

Do you remember the moment you decided to fight for a life that felt out of reach?

Roxanne:

“I don’t know if I can point to one exact day. I was born into the cards I was dealt, and survival came first. As situations got harder, my determination grew stronger, even when it showed up imperfectly. There were moments of being lost, getting into trouble, even being on the streets and emotionally checked out at a very young age.

But even then, something inside me never shut off.

I always knew I was special. I always believed something big was waiting for me, even when nothing around me reflected that belief. That quiet knowing became my anchor. I didn’t have the language for manifestation then, but that’s exactly what it was. I held onto a vision of a different life long before I had the tools to build it.”

That quiet knowing, before manifestation had a name, became her anchor.

Tunisha:

What part of your story were you once afraid to tell?

Roxanne:

“For a long time, there were parts of my story I wasn’t ready to share, not out of shame, but out of respect for the weight of truth. Some stories require time, protection, and space to be told fully.

That story will live in my book where it can be held with the care, depth, and intention it deserves. Until then, I lead by example.

Sometimes courage isn’t about saying everything. It’s about knowing when and where to say it.”

Roxanne Avent Taylor is not here by accident. She is here by alignment, by faith, by fight, by vision. Her journey reminds us that being told you don’t belong is often the clearest sign that you’re meant to build something new.

And that is IMPACT.

‘Rush Hour’ Producer Arthur Sarkissian Taps Deon Taylor To Direct Debut Film For Limitless Films, Formed With Jas Mathur
ArtsJanuary 24, 2026

‘Rush Hour’ Producer Arthur Sarkissian Taps Deon Taylor To Direct Debut Film For Limitless Films, Formed With Jas Mathur

EXCLUSIVE: Arthur Sarkissian, producer of the Rush Hour franchise, has teamed with entrepreneur Jas Mathur to launch new production outfit Limitless Films and set Deon Taylor (The Intruder) to direct the banner’s debut film, Tink.

The movie is based on the story of Gerald Tinker, the American Olympian and NFL player who become embroiled in the Miami drug trafficking scene of the ’70s and ’80s.

After winning Olympic gold at the notorious 1972 Munich Games, Black sprinter Tinker was discarded by professional sports and pulled into a covert cocaine pipeline running through Miami International Airport – forcing him to outrun the law, the mob, and his own past to protect the only family he has left.

Sarkissian and Mathur will produce the movie alongside Roxanne Avent Taylor and her banner Hidden Empire Film Group, which she runs alongside Deon Taylor. Adriana Sheri is executive-producing. The script was written by Jarrett Bryant (Maxie). Producers are planning to shoot the film in Miami toward the end of 2026.

“Tink is an intense, character-driven American crime epic, rooted in history,” said Deon Taylor. “I fell in love with the script instantly. It’s rare, emotional, and cinematic, with true awards potential. Few stories of this caliber and era remain untold today, so we’re blessed to be able to bring it to life in a fashion befitting of it, alongside amazing partners in Arthur and Jas.”

Said Mathur: “Tink is not inspired by a true story. It is a true story. Gerald Tinker lived this pain, this fight, and this survival. He is a former Olympic gold medalist and NFL wide receiver, and his journey beyond the spotlight is as powerful as anything he achieved on the world stage. Bringing his life to the screen is the foundation of why Limitless Films exists. Arthur and I stand together as producing partners on this film, driven by a shared responsibility to honor Gerald Tinker’s story with honesty and without compromise. Joining forces with Deon Taylor creates a powerful creative team united by vision, trust, and a deep respect for the truth. We believe Tink does not just move audiences. It stays with them. This is a story meant to spark conversation, challenge perspective, and stand on the biggest stages because it comes from a place of undeniable truth.”

Sarkissian and Mathur’s Limitless Films is a subsidiary of Limitless X Holdings Inc. The outfit will develop, package and produce a slate of projects across the action, drama, horror and thriller genres.

Taylor’s credits include The Intruder, the psychological thriller with Dennis Quaid, Michael Ealy, and Meagan Good, which took more than $30M, and police drama Black And Blue, starring Naomie Harris. Thriller Fatale starred two-time Oscar winner Hilary Swank.

Jas Mathur is Chairman & CEO of Limitless X Holdings. He has a background in tech, web services, wellness, nutrition, and performance industries.

Deon Taylor, Roxanne Taylor and Hidden Empire Film Group are represented by CAA and attorneys Glen Mastroberte and Andre De Rochers. Jarrett Bryant is represented by manager Jon Brown at Ensemble Entertainment and attorney Jason Zelin.

Variety: Floyd Mayweather Inks Life-Rights Deal With Hidden Empire Films, Announces ‘The GOAT’ Docuseries About Life and Career
ArtsAugust 25, 2025

Variety: Floyd Mayweather Inks Life-Rights Deal With Hidden Empire Films, Announces ‘The GOAT’ Docuseries About Life and Career

Floyd Mayweather Jr. is set to chronicle his life and career as a champion boxer through a new docuseries, titled “The GOAT,” after inking a life-rights deal with Hidden Empire Films’ Deon Taylor and Roxanne Avent Taylor.

“Now is the perfect time to share my story with the world and let viewers in on my journey from early days of hardships to overcoming adversity to become the athlete and entrepreneur I am today,” Mayweather said in a statement announcing the deal. “As someone who owns his own brand, I can’t think of better partners than Deon, Roxanne, Robert F. Smith — the wealthiest African American in the world — and Hidden Empire Films, a prolific Black-owned production company. This is going to be incredibly special!”

Under the new pact, Hidden Empire Films gains exclusive access to Mayweather’s personal library of never-before-seen footage, including hundreds of hours of video and audio recorded on his journey to becoming the world’s highest paid athlete in the world and the undefeated welterweight world champion. With the material, the Taylors plan to produce “The GOAT” docuseries, as well as a documentary and ultimately a narrative series under their Hidden Empire Films banner (“Black & Blue,” “Fatale,” “The Intruder”). Billionaire businessman Robert F. Smith will serve as executive producer on the developing projects, Omar Joseph will co-produce and James McNair will co-produce on behalf of Mayweather’s The Money Team (The MT).

“As a Black filmmaker, it is beyond an honor to have the opportunity to assist in telling the world one of the most iconic boxing stories we have ever heard,” said Deon Taylor of partnering with Mayweather. “Floyd truly is the G.O.A.T. and we are so blessed to share his amazing path to becoming one of the most polarizing figures in all of sports today. Our entire Hidden Empire team is excited for audiences to witness the chapters of his life.”

Added Roxanne Taylor: “I feel extremely blessed to work on bringing such an incredible project to life. As a producer, I live to find stories like this. The fact that Floyd’s story has never been told before to a broader audience makes it that much more special.”

Likewise, Smith described the forthcoming series as “timeless.” He said, “Watching Floyd Mayweather control his own destiny to become one of the greatest fighters of all time and more importantly one of the most brilliant minds in the business of pro boxing has been amazing to watch. Inspiration, passion and willingness to overcome are all traits of this icon and we are extremely honored to be a small part in telling Floyd’s incredible life story for all the world to see.”

A press release detailing the deal recounted Mayweather’s backstory on the way to his 50-0 record: “Cashing in on his talent and personality, Floyd is a walking, talking, self-generating moneymaking machine who has reached unrivaled success in and outside of the ring. [He] was influenced by two dynamic figures, his father, Floyd Mayweather Sr. and his Uncle Roger, the former heavyweight champion who passed away in 2020. Raised by his grandmother who stepped in the absence of his parents, she encouraged him to focus on school and the boxing gym.”

Earlier Thursday, Mayweather and Deon Taylor spoke with TMZ Sports about “The GOAT”, explaining that the upcoming series gives the boxer the chance to show the world “a different part of Floyd Mayweather.”

The series will chronicle Mayweather’s childhood through the beginning of his professional boxing career in 1996, and all the bouts in the ring along the way to becoming the world’s richest boxer. Despite sharing “the good, the bad, the ugly” of his life and career in the series, Mayweather predicts that “people are gonna love it.”

“I want to be able to tell my story in my way,” Mayweather shared in the interview. “I don’t want the people to think I take certain pieces out and it’s all glory. There’s a lot of ups and downs in life every day. And there’s a lot of struggles. Not just with myself but with my loved ones.”

“The GOAT” will follow in the tradition of the hit ESPN Films-Netflix 2020 series “The Last Dance,” which focused on NBA legend Michael Jordan and the 1997-1998 world champion Chicago Bulls using never-before-seen footage. The project will begin filming next year. A distribution deal is still in the works.

Quincy Newell of Sander Roberts, LLP negotiated this deal on behalf of Hidden Empire Films with Jona Rechnitz acting on behalf of TMT. Taylor and Avent Taylor are represented by Entertainment 360 and Granderson Des Rochers, LLP.

Variety: ‘Blacula’ Reboot in the Works From MGM, Bron and Hidden Empire Film Group (EXCLUSIVE)
ArtsAugust 25, 2025

Variety: ‘Blacula’ Reboot in the Works From MGM, Bron and Hidden Empire Film Group (EXCLUSIVE)

“Blacula” is leaving the coffin.

MGM, Bron and Hidden Empire Film Group’s Deon and Roxanne Avent Taylor are teaming up for a reboot of the blaxploitation horror classic.

The new film is a modern reimagining of the 1972 movie, directed by William Crain and starring William Marshall as Blacula. The reboot picks up where the original saga left off, after the 1973 sequel “Scream Blacula Scream,” and will be set in a metropolitan city post-coronavirus pandemic.

A description of “Blacula” teases how the movie will update the classic story, as it follows the vampire as he “thirsts for vengeance”:

Blacula is an ancient African prince who is cursed by Dracula after he fails to agree to end the slave trade. Blacula is entombed and awakens 200 years later ready to avenge the death of his ancestors and of those responsible for robbing his people of their work, culture and heritage as they appropriated it for profit.

Deon Taylor will direct the project, based on a script co-written with Micah Ranum. Roxanne Avent Taylor is producing the movie on behalf of Hidden Empire Film Group.

“’Blacula’ is arguably one of the most prestigious Black franchises and so important to the culture as it birthed a groundswell of Blaxploitation-horror films, which changed the game for how our people were seen on the big screen,” Deon Taylor said in a statement announcing the new project.

“Growing up in Gary, IN, I loved watching ‘Blacula’ and was so proud that William Marshall was a fellow Gary native,” he added. “It’s mind-blowing that this franchise never got the energy or appreciation that other genre films received over the years, but this reboot is about to change all that. Thank you to Aaron, Brenda and team Bron as well as everyone at MGM for joining us on this adventure. We promise to bring new life to the iconic ‘Blacula’ character that will resonate with audiences worldwide!”

Originally released in 1972 by American International Pictures,“Blacula” went on to become one of the highest-grossing films of the year and has established a legacy for its Black ensemble cast (which included Denise Nicholas and the late Vonetta McGee and Thalmus Rasulala). The movie was later acquired by MGM through the studio’s acquisition of Orion Pictures.

Aaron L. Gilbert will produce on behalf of Bron, with DJ Holloway managing the project.

“I am thrilled to be collaborating with Deon, Roxanne, and the team at Hidden Empire — all proven forces to be reckoned with, on ‘Blacula,’” Gilbert said of the film. “It is my hope that our reimagining of the film will open a dialogue among us.”

Bron and Hidden Empire previously collaborated on the 2013 feature “Supremacy,” and BRON also partnered with the Taylors’ nonprofit organization Climb on its Be Woke voter-registration campaign, created in 2020.

News of the “Blacula” reboot comes as Hidden Empire Film Group, an independent film company, is riding high off the impressive launch of their horror comedy “The House Next Door: Meet the Blacks 2,” which topped the specialty box office in its first weekend of limited release with a $1 million haul and $2,408 per-screen average.

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